Antarmuka Audio 4 Channel Input dengan Chip Atmega 328 Controller
DOI:
https://doi.org/10.31004/jptam.v5i3.1984Keywords:
Audio Mixer, Antarmuka, MixingAbstract
Penelitian ini bertujuan menguji coba pembacaan output pada mixer dan memastikan low noise pada output suara. Data yang didapat merupakan hasil dari interface dari pembacaan audio komputer dengan resolusi interface 16 bit/48 khz. Uji coba akhir ini berupa penggunaan mixing untuk dihubungkan dengan interface pada komputer. Uji coba ini didapatkan data pembacaan signal analog dari mixer audio. Metode yang digunakan pada penelitian ini terbagi beberapa tahap yaitu (1) Analisis masalah, (2) Mengumpulkan informasi, (3) Mendesain alat, (4) Membuat alat, (5) Pengujian alat, (6) Mengumpulkan data, (7) Menguji coba akhir.
References
K. Moustakas, E. Rovithis, K. Vogklis, and A. Floros, “Adaptive audio mixing for enhancing immersion in augmented reality audio games,” ICMI 2020 Companion - Companion Publ. 2020 Int. Conf. Multimodal Interact., pp. 220–227, 2020, doi: 10.1145/3395035.3425325.
A. F. Musib, “Extracting audio signals from 4-track analogue tape and digital standalone multitrack machine material as a part of preservation,” Asian-European Music Res. J., vol. 5, no. Summer, pp. 25–38, 2020, doi: 10.30819/aemr.5-4.
J. Mycroft, T. Stockman, and J. D. Reiss, “A prototype mixer to improve cross-modal attention during audio mixing,” ACM Int. Conf. Proceeding Ser., 2018, doi: 10.1145/3243274.3243290.
C. J. Steinmetz, J. Pons, S. Pascual, and J. Serrà, “Automatic multitrack mixing with a differentiable mixing console of neural audio effects,” ICASSP, IEEE Int. Conf. Acoust. Speech Signal Process. - Proc., vol. 2021-June, pp. 71–75, 2021, doi: 10.1109/ICASSP39728.2021.9414364.
Sunarsa, “Sistem Audio Recording Di RRI Surakarta Jawa Tengah,” J. Ilm. Tek. Stud., vol. 4, no. 2, pp. 102–114, 2018.
D. Hariyanto, A. Hidayatno, and Y. Christiyono, “Rancang Bangun Mixer Audio 4 Channel Berbasis Pc,” 2017
C. Dewey and J. P. Wakefield, “Elicitation and quantitative analysis of user requirements for audio mixing interface,” 144th Audio Eng. Soc. Conv. 2018, 2018.
J. Mycroft, “The Design of Audio Mixing Software Displays to Support Critical Listening,” no. July, 2017.
I. M. Production, “DEEP LEARNING AND INTELLIGENT AUDIO MIXING Marco A . Mart ´ ?rez , Joshua D . Reiss Centre for Digital Music Queen Mary University of London,” no. September, pp. 3–6, 2017.
A. Prof, P. Southard, J. Gorospe, and D. Ydoate, “dB-P6?: A Small Format Digital Audio Mixer,” vol. 2015, p. 2017, 2017.
Downloads
Published
How to Cite
Issue
Section
Citation Check
License
Copyright (c) 2021 David Indra Susilo, Yusup Yanuar, Asni Tafrikhatin
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work’s authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).